The traditional costumes of the Palestinian villagers and Bedouin are of exceptional beauty and diversity, especially the festive costumes of the women with their lavish silk embroidery and patchwork and their dramatic headdresses encrusted with coins.

This book surveys male and female fashions from the early nineteenth century to the end of the twentieth, and describes the main regional styles of costume, their materials and ornamentation, against the background of Palestinian life and culture. The emphasis throughout the book is on the social and symbolic significance of costume, and the final chapters analyze in detail the language of costume in the context of the wedding.

The book is based on extensive field research the author has conducted at intervals since 1967 among Palestinians in Israel, the Occupied Territories, and Jordan. The illustrations include studio photographs of magnificent garments in museum collections, archive photographs from the nineteenth and early twentieth centuries, and recent photographs of costumes still made and worn.

A tale of a Bedouin clan through the eyes of its women. Shortlisted for the International Prize for Arabic Fiction 2016.

The Al-Abd al-Lat clan has left the desert and is preparing to leave its Bedouin customs behind. Some of the women of the clan are drawn to the allure of modern life, while others scorn it and fear the loss of their traditional lifestyle and values. When Rasmia accompanies her husband to a party, Najma wears a dress and Sana gets a tan on her white legs, they set malicious tongues wagging. Meanwhile, Wadha, the sixth wife of Mannan, the chief of the clan, still believes that the washing machine and television are inhabited by evil spirits.

Set in the tumultuous time after the nakba (the Palestinian exodus from what is now Israel), Praise for the Women in the Family portrays the rapid advance of modernity and the growing conflict in 1950s Palestine. It also reveals the impossibility of political equality in a society that treats its women unjustly and denies them the right to dignity and equality with men.

How do Palestinians live, imagine and reflect on home and exile in this period of a stateless and transitory Palestine and a sharp escalation in Israeli state violence and accompanying Palestinian oppression? How can exile and home be written?

In this volume of new writing, fifteen innovative and outstanding Palestinian writers- essayists, poets, novelists, critics, artists and memoirists- respond with their reflections, experiences, memories and polemics. Their contributions- poignant, humorous, intimate, reflective, intensely political- make for an offering that is remarkable for the candor and grace with which it explores the many individual and collective experiences of waiting, living for, and seeking Palestine.

Contributors include: Lila Abu-Lughod, Susan Abulhawa, Suad Amiry, Rana Barakat, Mourid Barghouti, Beshara Doumani, Sharif S. Elmusa, Rema Hammami, Mischa Hiller, Emily Jacir, Penny Johnson, Fady Joudah, Jean Said Makdisi, Karma Nabulsi, Raeda Sa'adeh, Raja Shehadeh, Adania Shibli.

Joudie Kalla, author of the bestselling Palestine on a Plate, introduces readers to more of the Middle East's best kept secret - Palestinian cuisine.

"Baladi" means "my home, my land, my country," and Joudie once again pays homage to her homeland of Palestine by showcasing its wide ranging, vibrant and truly delicious dishes. Palestine is a country of different seasons and landscapes, and it is these diverse conditions that create the many and varied ingredients featured in the book. Joudie takes an entirely flexible approach to cooking, using influences from her home to create new dishes, and bringing her own twist to more traditional recipes.

Baladi features recipes according to the area that they hail from, such as the land, the sea, the fields, the orchard . . . Experience the wonderful flavors of Palestine through Daoud Basha (lamb meatballs cooked in a tamarind and tomato sauce), khubzet za'atar (za'atar brioche twists), samak makli bil camun (fried fish selection with zucchini, mint and yogurt dip), atayef (soft pancakes filled with cream in an orange blossom sugar syrup), and many more sublime flavor combinations.

With stunning color photographs to accompany each recipe, the book is also interspersed with shots of the landscapes, streets, and people of Palestine, reflecting the rich culinary culture running through the whole country.

The Interlink Notebooks are high quality printed and bound volumes available in large and pocket formats. Each notebook has 192 ruled pages, acid-free paper, 70 gsm cream shade pages and includes a matching elastic band and pen loop. Each also has a ribbon-marker and an expandable inner note holder as well as informative text on the specific design used.

All Interlink Notebooks use ecological paper from sustainable forests.

High quality papers are sourced from paper mills promoting sources of sustainable forests using clean energy, without the use of harmful chemicals such as chlorine.   

A new tree is planted for every tree felled.

Long awaited first English translation of celebrated Palestinian poet. 

Born in 1977, Tamim Al-Barghouti is probably one of the most widely read Palestinian poets of his generation. His poetry readings are attended by thousands, sometimes packing stadiums and amphitheaters. The reception of his poetry among a diverse audience from various backgrounds and age groups is a testimony to the vitality of the centuries-old tradition of classical Arabic poetry. The poems in this collection were written in Cairo, Ramallah, Amman, Washington, DC and Berlin between 1996 and 2016.

In 2007, Al-Barghouti's long poem "In Jerusalem," which describes an aborted journey to the city, became something of a street poem. Palestinian newspapers dubbed Al-Barghouti "The Poet of Jerusalem." To this day, his posters hang on the streets of Jerusalem and other Palestinian cities, where key chains are sold with his picture on them. Sections of the poem have even become ring-tones blaring out from cell phones across the Arab world, and children compete in memorizing and reciting it. "In Jerusalem" and other poems by Al-Barghouti have also had millions views on various TV Channels as well as on the internet, winning the poet an exceptional celebrity status in the Arab World.

On the January 26, 2011, one day after the Egyptian Revolution that toppled President Hosni Mubarak, Al-Barghouti wrote the lyrical poem "Hanet"; its Arabic title roughly translates as "It's Close." With the internet down, he faxed the poem to a Cairo newspaper, copies of which were distributed in Tahrir Square. Soon after, Al-Jazeera TV Channel broadcast a recording of it and a video of his reading was projected in the Square every couple of hours on makeshift screens.